Landscape Painting

Thomas Moran (1837–1926)
Autumn Afternoon, the Wissahickon, 1864
During his long, successful career, Thomas Moran was best known for his grand-scale landscape paintings of the American West. Like other Hudson River school painters, he combined fidelity to detail with drama in a way that evokes nineteenth-century America’s wonder in nature and eagerness to conquer it. In Autumn Afternoon, the Wissahickon, an early work, Moran depicted a creek that flows into Philadelphia, Pennsylvania. Although the setting is not far from the city, the artist created a bucolic view that denies both encroaching urbanism and the not-so-distant conflict of the American Civil War (1861–65). The painting also reflects Moran’s effort to assimilate into a familiar scene the saturated color and expressive light found in the work of the English romantic painter J. M. W. Turner (1775–1851), whose art he studied firsthand in 1862. In this work, Moran drew upon a landscape formula that is both naturalistic and romantic.
Learn more about this painting on the Terra Foundation website.
Landscape Painting

Thomas Cole (1801–1848)
Landscape with Figures: A Scene from "The Last of the Mohicans", 1826

William S. Jewett (1821–1873)
The Promised Land - The Grayson Family, 1850

John Frederick Kensett (1816–1872)
Almy Pond, Newport, c. 1857

Frederic Edwin Church (1826–1900)
Our Banner in the Sky, 1861

William Stanley Haseltine (1835–1900)
Rocks at Nahant, 1864

Thomas Moran (1837–1926)
Autumn Afternoon, the Wissahickon, 1864

Fitz Henry Lane (1804–1865)
Brace's Rock, Brace's Cove, 1864

Sanford Robinson Gifford (1823–1880)
Hunter Mountain, Twilight, 1866

Sanford Robinson Gifford (1823–1880)
Morning in the Hudson, Haverstraw Bay, 1866

John La Farge (1835–1910
Paradise Valley, 1866–68

Martin Johnson Heade (1819–1904)
Newburyport Marshes: Approaching Storm, c. 1871

Alfred Thompson Bricher (1837–1908)
The Sidewheeler "The City of St. Paul" on the Mississippi River, Dubuque, Iowa, 1872

Francis A. Silva (1835–1886)
On the Hudson near Haverstraw, 1872

Frederic Edwin Church (1826–1900)
The Iceberg, c. 1875

Worthington Whittredge (1820–1910)
Indian Encampment, c. 1870–76