Cosmopolitanism and the Gilded Age

Dennis Miller Bunker (1861–1890)

Brittany Town Morning, Larmor, 1884

Oil on canvas, 14 x 22 in. (35.6 x 55.9 cm). Terra Foundation for American Art, Daniel J. Terra Collection, 1991.1

A promising painter who died young, Dennis Miller Bunker is known for his bucolic scenes bathed in the diffused light of northern France. He imbues the work here with an almost palpable sense of a Breton morning. The medieval church at the center of the composition rises from the compact architecture of the village. Monochromatic bands of sky accentuate the surrounding green fields, while the steep slate roofs of dark stone houses reflect the region’s distinctive light. This interplay of contrasts demonstrates Bunker’s interest in studying the effects of light as it strikes various surfaces. Despite the presence of a laundress in the foreground and of two minuscule figures beside the stone wall, the painting is less a narrative interpretation of the setting than a demonstration of the artist’ attention to its singular atmosphere.

Learn more about this painting on the Terra Foundation website.

Cosmopolitanism and the Gilded Age

Childe Hassam (1859–1935)

Une Averse—rue Bonaparte, 1887

William Merritt Chase (1849–1916)

Morning at Breakwater, Shinnecock, c. 1897

Edmund C. Tarbell (1862–1938)

In the Orchard, 1891

Mary Cassatt (1844–1926)

Summertime, 1894

John Singer Sargent (1856–1925)

Breton Woman with a Basket, Study for “En route pour la pêche” and “Fishing for Oysters at Cancale”, 1877

John Singer Sargent (1856–1925)

Breton Girl with a Basket, Study for “En route pour la pêche” and “Fishing for Oysters at Cancale”, 1877

John Singer Sargent (1856–1925)

Girl on the Beach, Study for “En route pour la pêche” and “Fishing for Oysters at Cancale”, 1877

John Singer Sargent (1856–1925)

Young Boy on the Beach, Study for “En route pour la pêche” and “Fishing for Oysters at Cancale”, 1877

James Abbott McNeill Whistler (1834–1903)

The Zattere: Harmony in Blue and Brown, c. 1879

James Abbott McNeill Whistler (1834–1903)

Note in Red: The Siesta, by 1884

Joseph H. Boston (1860–1954)

From Shore to Shore, 1885

George de Forest Brush (1855–1941)

The Weaver, 1889

Theodore Wendel (1859–1932)

Brook, Giverny, 1887

Irving Ramsey Wiles (1861–1948)

On the Veranda, 1887

Charles Courtney Curran (1861–1942)

Lotus Lilies, 1888

Dennis Miller Bunker (1861–1890)

Brittany Town Morning, Larmor, 1884

John Singer Sargent (1856–1925)

Dennis Miller Bunker Painting at Calcot, 1888

William Merritt Chase (1849–1916)

Spring Flowers (Peonies), by 1889

Childe Hassam (1859–1935)

Horse Drawn Cabs at Evening, New York, c. 1890

John Leslie Breck (1860–1899)

Garden at Giverny (In Monet's Garden), c. 1887–91

Guy Rose (1867–1925)

Giverny Hillside, c. 1890–91

Childe Hassam (1859–1935)

Horticulture Building, World's Columbian Exposition, Chicago, 1893

Theodore Robinson (1852–1896)

Blossoms at Giverny, 1891–92

Lilla Cabot Perry (1848–1933)

Self-Portrait, c. 1889–96

Henry Ossawa Tanner (1859–1937)

Les Invalides, Paris, 1896

John H. Twachtman (1853–1902)

Winter Landscape, c. 1890–1900

Willard Metcalf (1858–1925)

Havana Harbor, 1902

Thomas Eakins (1844–1916)

Portrait of Thomas J. Eagan, 1907

Thomas Wilmer Dewing (1851–1938)

Portrait of a Lady Holding a Rose, 1912

Frederick Carl Frieseke (1874–1939)

Lady in a Garden, c. 1912