Early American Painting

Portrait of a Woman said to be Clarissa Gallond Cook, in front of a Cityscape, c. 1838
Object - Erastus Salisbury Field, Clarissa Gallond Cook
Early in his long career, Erastus Salisbury Field was an itinerant portraitist in Massachusetts. He often received commissions to paint likenesses of several members of a single family, such as the Gallonds. This painting is virtually identical to his 1838 portrait of the sitter’s sister Louisa Gallond (Shelburne Museum, Vermont). Clarissa and Louisa were married to brothers in the Cook family, merchants who owned a Hudson River schooner. Although women were typically portrayed alongside natural elements emblematic of virtue and piety, here Field presented Clarissa before a prosperous port city. Her bright-eyed expression conveys her firm command of the domain depicted and suggests that she may have been active in her family’s business. Field’s portraits, such as this one, were emblematic tributes to the status and character of America’s burgeoning merchant class.
Learn more about this painting on the Terra Foundation website.
Early American Painting

Blind Man's Buff, 1814

Portrait of Mrs. John Stevens (Judith Sargent, later Mrs. John Murray), 1770–72

George Washington, Porthole Portrait, after 1824

A Peaceable Kingdom with Quakers Bearing Banners, c. 1829–1830

Girl in a Red Dress, c. 1835

Portrait of a Woman said to be Clarissa Gallond Cook, in front of a Cityscape, c. 1838

Gallery of the Louvre, 1831–33

Lorenzo and Jessica, 1832

Portrait of Harriet, c. 1840

Portrait of Blanch Sully, 1839